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  • Restoring Āwhitu a community effort

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    Āwhitu Landcare is a community-led organisation that has been quietly working to restore and protect the natural environment of the Āwhitu Peninsula for over 30 years.  

    Covering over 22,000 hectares of landscape the community-led group, supported by Franklin Local Board funding, is focused on caring for and planting native trees, pest eradication, and bringing back native wildlife to the area.  

    Planting native trees  

    With support from Te Korowai o Papātuanuku, a dedicated project team focused on native planting, and the Ministry for Primary Industries Billion Trees programme, Awhitu Landcare has grown and provided over 300,000 free native plants to local restoration sites between 2020 and 2024.  

    In 2023 alone, the group supplied 105,000 native plants to 37 sites across the peninsula. Volunteers and landowners put in 2,900 hours of work to prepare the land, plant trees, and look after the growing plants.  

    Franklin Local Board member Gary Holmes is thrilled with the progress and impact the community-led project is having, both environmentally and socially. 

    “Continued investment into environmental initiatives like Āwhitu Landcare is important for the future of the area and its people.” 

    The group also supports iwi-led projects. In 2023, they provided 16,000 native plants for three iwi restoration sites, working alongside local primary and secondary school students to plant them.  

    “Projects like Āwhitu Landcare don’t just improve the environment – they help rangatahi connect with the land and gain hands-on conservation experience.” says Holmes.   

    Predator free Āwhitu  

    Along with planting trees, the group is on a mission to make Āwhitu predator free by removing pests that kill native species or damage wildlife.

    Pests like possums, rats, and stoats kill native birds and eat young plants, while deer, pigs, and goats damage the land. 

    The goal for the group is to reduce possum numbers to less than 5%, which would make a huge difference for native wildlife in the area.  

    In 2024 alone, over 750 possums were caught and removed, helping native forests recover. 

    Tackling kauri dieback 

    Alongside planting and pest control, they are also tackling serious plant disease that threaten the regions native forests. Through partnerships with Kauri Rescue, they have helped connect landowners with experts and iwi kaimahi to treat kauri trees affected by dieback disease using phosphite treatment.  

    The group is also working to protect rōhutu trees from myrtle rust, using fungicide treatments. To strengthen their commitment to biosecurity, they are working towards Plant Pass certification to ensure the highest standards in their native plant nursery.  

    The future of Āwhitu 

    The mahi continues this year and will see the group plant more trees, control more pests, and protect more native wildlife with the ongoing support of local volunteers, community partners and Franklin Local Board. 

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  • Open fire season for Tāmaki Makaurau

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    Fire and Emergency New Zealand is moving Auckland City, Waitematā and Counties-Manukau Districts back to an open fire season from 8am on Wednesday 23 April, until further notice.

    An open fire season means people planning to light fires outdoors no longer need to apply to Fire and Emergency for authorised permits.

    The exceptions are the Hauraki Gulf Islands – populated islands will move to a restricted fire season, with permits needed from Fire and Emergency before lighting outdoor fires, and Department of Conservation islands remain in a prohibited fire season, with all outdoor fires banned.

    Fire and Emergency New Zealand’s Te Hiku Region Manager Ron Devlin says a steady amount of rain across the Auckland region in the last few days and continued cooler forecasts have triggered the fire season changes.

    “The damper autumn conditions means there is now less of a fire risk throughout Tāmaki Makaurau,” he says.

    “However, we do still ask people to take care when lighting any fires, and to check the requirements for your location on checkitsalright.nz.

    “Make sure your fires are fully extinguished and keep checking for reignition in the following days and weeks.”

    Northland District changed to an open fire season last Friday. 

  • Knowledge sharing and practical solutions to feature at Love our Harbour: Manukau Harbour Symposium

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    Mana Whenua, government, scientists, community groups and all who care about Te Manukanuka o Hoturoa, the Manukau Harbour, are invited to join in a full day conference on Saturday 31 May 2025.

    The Symposium is a day where the Manukau Harbour, with its immense value, the challenges it faces, and the extraordinary passion for restoring its wellbeing, is the central focus, says Jon Turner, Chair of the Manukau Harbour Forum.

    The forum is a joint committee formed by the nine local boards that surround the harbour, that advocates for better resourcing and a focus on this taonga.

    “This is the second biggest harbour in Aotearoa New Zealand. Our harbour is beautiful and has environmental, cultural, economic and recreational value and it deserves more attention”, says Turner.

    He says the Symposium will focus on the harbour’s future, and on thinking that can contribute to its improved well-being in the future.

    “We aim to tell the full story, across generations and disciplines of thinking.”

    Awards

    With MC Mandy Kupenga, the Symposium will also announce recipients of the ‘Ngaa Tohu o te Manukau – Celebrating Harbour Champions’ Awards, which recognise individuals, stakeholders, organisations or community groups for their work to protect and restore the mauri of the harbour.

    You can nominate someone for an award here until 14 May.

    One week before the Symposium the Manukau Harbour Forum will also host a clean-up and restoration event, the Love Your Harbour Day, at Island Road, Māngere. This event is held with the support of Te Motu a Hiaroa Charitable Trust, Auckland Council and SeaCleaners, and targets one of the worst sites for illegal dumping in the region.

  • Rare Raukawa gecko rediscovered in Auckland remains elusive

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    The discovery of a rare mainland population of the Raukawa gecko (Woodworthia maculata) in the southern part of the Auckland region has sent ripples of excitement through the conservation community.

    These omnivores play a vital role in pollination and seed dispersal as they consume nectar and fruit, and a significant find of the gecko could suggest a potentially thriving population in an area where they were thought to be extinct.

    Chair of the Planning and Policy Committee Councillor Richard Hills says ecological work is invaluable.

    “The data gained in these surveys helps us keep track of our reptile populations and allows us to work to manage threats and restore environments so they can survive. The report of a Raukawa gecko is an exciting development.

    “Knowing which species are living in our neighbourhoods supports local conservation efforts through native plantings and predator control.

    “Finding a New Zealand forest gecko in my own backyard on the North Shore this year highlights the amazing work done by volunteers and council in our communities, and is a reminder that we need to do more to protect all our native species”

    The project, a collaboration between Auckland Council’s Regional Parks and Environmental Services teams, aims to determine the gecko’s population size, distribution, and overall status in the area. This will start with an ecological survey to confirm the finding.

    Auckland Council’s Senior Ecologist Melinda Rixon says it is an incredible discovery.

    “While Raukawa geckos are widespread on pest-free islands, mainland populations are exceedingly rare due to predation and habitat destruction.

    “Finding them here gives us a rare opportunity to learn more about their resilience and consider what conservation efforts might be necessary to protect them.”

    The recent survey carried out follows an initial sighting in 2023 by ecologist Miranda Bennett, who first spotted the gecko while undertaking weed control work in the area. This prompted further investigation into whether this was a lone survivor or part of a larger, hidden population.

    “This is why we do what we do,” says Miranda Bennett, who is now Programme Manager for work funded by the Natural Environment Targeted Rate.

    “The chance to rediscover a species in a place where we didn’t think it existed anymore is exciting. It also highlights the value of protecting and restoring these unique ecosystems,” adds Miranda.

    The site being surveyed is also home to several other threatened reptile species, including the at-risk shore skink (Oligosoma smithi), as well as ornate skinks and copper skinks. The survey is equally focused on gathering information on these species to inform future conservation and management strategies.

    As the survey draws to a close, just two geckos have been sighted and tagged.

    “It’s a little disappointing; we were hoping to find more. A couple of lonely geckos doesn’t bode well for a mainland population,” says Miranda.

    Conservation challenges and survey methods

    While the Raukawa gecko has a national status of ‘Not Threatened,’ it is classified as ‘At Risk – Regionally Recovering’ within Auckland due to its absence from most mainland sites.

    If there is a population in the area, its existence will challenge our understanding of the species’ mainland distribution and raises questions about its long-term survival prospects; the main threats to geckos include predation from invasive mammals and habitat degradation.

    To investigate the population, the research team set up multiple survey divides using Artificial Cover Objects (ACOs) to attract and monitor geckos.

    Additionally, tracking tunnels, typically used for pest monitoring, were employed to detect gecko footprints, which are easily distinguished from skink footprints.

    The team conducted five separate checks over the two-week period of the survey to collect data on the population.

    The unique world of the Raukawa gecko

    Raukawa geckos are nocturnal but sometimes cryptically bask in sunlight during the day in plain sight, near their retreats.

    Unlike their tropical counterparts, which may only live a couple of years, geckos in New Zealand can survive for up to 60 years.

    This long lifespan, however, comes with slow reproduction rates – geckos take years to mature and give birth to live young rather than laying eggs. In colder conditions, they can even delay giving birth until temperatures are more favourable.

    Another fascinating adaptation of these geckos is their remarkable sticky feet, which allow them to scale vertical surfaces and even walk upside down.

    Their ability to drop their tails, known as caudal autonomy, is another survival tactic. If a predator attacks, the gecko can detach its tail, which wriggles distractingly while the gecko makes a swift escape. Although the tail regrows, it never quite matches the original—it is shorter, often differently coloured, and structurally distinct.

    Protecting a precious population

    The presence of the Raukawa gecko and the shore skink highlights the biodiversity value of this undisclosed southern Auckland Council regional park, which is already recognised as a Biodiversity Focus Area (BFA) due to its rare coastal ecosystem.

    The park provides critical habitat for at-risk species, including the shore skink and the threatened plant Senecio scaberulus (fireweed). Conservation efforts at the site focus on habitat restoration and predator management to ensure these species thrive in the coming decades.

    “Finding a mainland population of Raukawa geckos would be a game-changer for our conservation efforts,” says Melinda.

    “The discovery would underscore the importance of continued monitoring and protection of our natural spaces. Who knows what else we might find?”

    For now, the survey team is keeping the exact location under wraps to protect the geckos from poaching or disturbance.

    The public is encouraged to support conservation efforts by respecting protected areas and reporting any native lizard sightings to local conservation groups.

    Native Raukawa gecko

    The unique world of the Raukawa gecko

    Raukawa geckos are nocturnal but sometimes cryptically bask in sunlight during the day in plain sight, near their retreats.

    Unlike their tropical counterparts, which may only live a couple of years, geckos in New Zealand can survive for up to 60 years.

    This long lifespan, however, comes with slow reproduction rates – geckos take years to mature and give birth to live young rather than laying eggs. In colder conditions, they can even delay giving birth until temperatures are more favourable.

    Another fascinating adaptation of these geckos is their remarkable sticky feet, which allow them to scale vertical surfaces and even walk upside down.

    Their ability to drop their tails, known as caudal autonomy, is another survival tactic. If a predator attacks, the gecko can detach its tail, which wriggles distractingly while the gecko makes a swift escape. Although the tail regrows, it never quite matches the original—it is shorter, often differently coloured, and structurally distinct.


    DISCOVER MORE:

    I’m an enigmatic and ancient amphibian – read about me as you will probably never see me


    I’m a nationally threatened species but with a boat and a walk you will find me!


    I’m one of the smallest and rarest native birds in New Zealand – read more to find out where you can visit me.


    CSI: tūī – read more about an avian “whodunit”


    Protecting a precious population

    The presence of the Raukawa gecko and the shore skink highlights the biodiversity value of this undisclosed southern Auckland Council regional park, which is already recognised as a Biodiversity Focus Area (BFA) due to its rare coastal ecosystem.

    The park provides critical habitat for at-risk species, including the shore skink and the threatened plant Senecio scaberulus (fireweed). Conservation efforts at the site focus on habitat restoration and predator management to ensure these species thrive in the coming decades.

    “Finding a mainland population of Raukawa geckos would be a game-changer for our conservation efforts,” says Melinda.

    “The discovery would underscore the importance of continued monitoring and protection of our natural spaces. Who knows what else we might find?”

    For now, the survey team is keeping the exact location under wraps to protect the geckos from poaching or disturbance.

    The public is encouraged to support conservation efforts by respecting protected areas and reporting any native lizard sightings to local conservation grou

  • Discover your footprint

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    Get an idea of the impact of your lifestyle on our planet and see how your everyday actions can make a difference.

    Take 5 minutes to get a snapshot of your footprint or stay longer to choose new actions, challenge friends, track and share your progress to become Future Fit.

  • Ground broken on the first ‘Making Space for Water’ flood resilience projects

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    Today marks a major milestone in Auckland’s flood recovery programme, with the official groundbreaking of the first flood resilience (blue-green) projects under Auckland Council’s Making Space for Water programme.

    The two Māngere projects, including replacing a busy bridge and lifting New Zealand’s largest sewerage pipe, will significantly reduce flood risk for hundreds of homes in neighbourhoods surrounding the Te Ararata Stream and Harania Creek. Some of these homes have a serious risk to life from flooding.

    The projects are the first under the council’s 10-year Making Space for Water programme and were the first to be funded as part of a $2-billion co-funding agreement with local and central government following the severe weather events in early 2023.

    The area was blessed at dawn by mana whenua representatives from Te Ākitai Waiohua and supported by Ngāti Tamaoho and Te Ahiwaru, with Mayor Wayne Brown officially breaking ground, alongside local Member of Parliament Lemauga Lydia Sosene, Ward Councillors and members of the Māngere-Ōtāhuhu Local Board.

    Mayor Wayne Brown and local iwi at sod turning ceremony in Mangere.

    “Māngere was one of the hardest hit communities when Tāmaki Makaurau experienced its worst rainfall on record in 2023, and the community has shown incredible resilience during some difficult times,” says Mayor Brown. 

    “It’s fitting that the first blue-green projects delivered under the council’s Making Space for Water programme are right here in Māngere.

    “Fixing Auckland’s infrastructure and making the most of our environment were among my key policies and why I supported this programme, and the commitment of budget to get projects like these done quickly, to ensure a positive outcome for the local community.”

    Mana whenua acknowledged the importance of restoring the mauri (life force) of local waterways, ensuring they can continue to sustain and support both people and the environment.

    Manukau ward councillors Alf Filipaina and Lotu Fuli celebrated this milestones and acknowledged the importance of the council working with central government with strong community support to accelerate the progress of these projects, including the Order in Council.

    “Community backing for an Order in Council was absolutely crucial in getting these projects approved and shovel-ready in record time. I also want to acknowledge the role that council staff, especially the Healthy Waters and Recovery Office teams, played in getting us to this point and all their hard work and dedication. Our communities were one of the hardest hit during the severe weather in 2023 and these projects will increase flood resilience for hundreds of properties – it’s certainly something to celebrate,” says Cr Filipaina. 

    “This is about more than just managing the flow of water – these projects are about building healthier and more resilient communities for people to live. This work is about reducing an intolerable risk to life and supporting our Māngere communities through some challenging conversations. It was great to acknowledge this milestone for the wider regional programme with more flood resilience projects to come,” says Cr Fuli.

    Working with the community

    A Stakeholder Advisory Group, made up of key community organisations and locals, has been serving as a bridge between the council and the broader community, ensuring that local knowledge is contributed, and broader outcomes are considered.

    “These projects are a great example of how Auckland Council and communities can collaborate to create outcomes that benefit everyone,” said Toni Helleur, CEO of I Am Māngere.

    “In addition to the flood resilience outcomes we’re also delivering social outcomes for South Auckland. Heb, the contractor for the Te Ararata project have employed seven people into full-time employment through council’s Nga Puna Pukenga Skills for Industry programme.

    Project details 

    Work in both catchment areas will address key blockage points so that in extreme storms rainwater can flow more easily out into the Manukau Harbour.

    In Te Ararata, the Walmsley Road bridge will be upgraded to increase water flow beneath it and a debris trap will be installed to reduce potential blockages upstream. A permanent maintenance platform and accessway to the Mahunga Drive culverts will also be built to enable quicker and easier access for maintenance crews.  

    In Harania, the embankment between Blake and Bicknell roads will be removed and replaced with a pedestrian bridge and a pipe bridge for the Eastern Interceptor, which carries roughly 70 per cent of Auckland’s wastewater from Okahu Bay to Māngere Wastewater Treatment Plant.

    Artistic impression of flood resilience works in Māngere

    These improvements will enable the waterways around Blake Road Reserve to flow more freely and lessen the likelihood of flooding in the future. Construction on the projects will start later this month, with completion expected in mid-2026.

    Planning and prioritisation for future projects

    Many communities were heavily impacted by the severe weather events of early 2023. Further areas across Tāmaki Makaurau continue to be assessed and prioritised for future blue-green works.

    You can find out more information about these projects on the council’s website or you can reach out to the team at bluegreen@aucklandcouncil.govt.nz

  • Exploring local Howick Enviroschools

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    Howick Local Board members recently embarked on an inspiring visit to four local Enviroschools, where they saw firsthand the innovative environmental initiatives being embraced by students and staff.

    Enviroschools is a programme that supports children and young people to plan, design and implement sustainability actions.

    Participating schools range from early childhood through to secondary school and beyond.

    Enviroschools are a key part of the board’s Tō Tātou Taiao/Our Environmental in its local board plan. This works alongside other Pest Free Howick initiatives including the annual Pest Free competition, native tree projects for birds, iwi-led restoration of Te Naupata/Musick Point, and Garden To Table.

    Enviroschool tour

    Sustainable Schools Advisor Cate Jessep shares that the purpose of these visits is to highlight the significant outcomes of Howick Local Board’s long-term support for Enviroschools in the area. These visits allow the Board to see firsthand the impact of their investment in helping teachers and principals engage students in real, sustainable learning.

    On Friday 28 March 28, Howick Local Board members, along with new Enviroschools principals and key teachers, visited four local Howick Enviroschools, including Pakuranga Baptist Enviro-Kindergarten, Our Lady Star of the Sea in Howick, Mission Heights Junior College, and Mission Heights Primary in Flatbush.

    Howick Local Board chair Damian Light says, “Empowering our community to take environmental action is a key objective of our Local Board Plan. And our tamariki and rangatahi are critical to the success of this. It’s been wonderful to see firsthand the amazing work that is happening in our local kura.”

    Everyday activities that make an Enviroschool thrive

    Pakuranga Baptist Enviro-Kindergarten is buzzing with exciting activities. From Outdoor Explorers walks to a bee water station, their garden is thriving. The kids engage in 3D mapping, recently explored Ohuiārangi Pigeon Mountain, and participate in local plantings. What’s more, they have regular conversations about caring for Papatūānuku, with composting being a key topic. It’s a fantastic, hands-on approach to environmental learning.

    “Enviroschools in Howick have made a significant impact, with over 1,000 students in the Pest Free Howick program, 40 schools reducing waste by up to 74%, and initiatives like the Moth Plant competition, Garden to Table, and carbon footprint programs. Four new schools have joined this year, bringing the total to 33 out of 44 schools in Howick. These efforts are creating a generation of leaders in sustainability, with many students advancing to leadership roles in sustainable careers. This is what we aim to showcase through these visits,” Cate adds.

    Ka mihi ki a Ranginui, ki a Papatūānuku, ka mihi ki te ngao o te wheiao I About Enviroschools

    Enviroschools is a nationwide programme supported by Toimata Foundation and a large network of regional partners. Early childhood centres and schools commit to a long-term sustainability journey, where tamariki/students connect with and explore the environment, then plan, design and act in their local places in collaboration with their communities.

    There are 1,629 enviroschools nationwide of which 343 are in Tāmaki Makaurau Auckland.

    Integrating Enviroschools into school and centre life offers many benefits, including:

    1. Environmental: Promotes healthy spaces, biodiversity, and water quality

    2. Economic: Fosters youth entrepreneurship and reduces waste

    3. Educational: Turns schools into learning hubs for sustainability

    4. Social and Cultural: Reduces litter and vandalism, encouraging community involvement.

    Stay connected

    Sign up to receive our Howick Local Board monthly e-newsletters.

  • Te Wheke-a-Muturangi floats on Tāmaki Makaurau waters for first time

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    Celebrated, octopus-styled artwork Te Wheke-a-Muturangi by acclaimed artist Lisa Reihana floats on Tāmaki Makaurau waters for the first time – through to 14 May.

    Presented by Viaduct Harbour Holdings Ltd and Gallery Sally Dan-Cuthbert, with the support of Auckland Council and the city centre targeted rate, Te Wheke-a-Muturangi is set to deliver a major moment in Viaduct Harbour’s presentation of the Aotearoa Art Fair Sculpture Trail.

    It kicks off an overflowing season of arts in the city centre. Read more below.

    Deputy Mayor of Auckland Desley Simpson says it’s thrilling to see Te Wheke-a-Muturangi arrive in our waters.

    “Lisa Reihana has consistently wowed global audiences with her stunning art, grounded in Māori and Pacific cultural knowledge. So we’re lucky to see this epic masterpiece in the Viaduct Harbour as we usher in a packed season of the arts in Auckland.

    “Interactive art, comedy, opera, cabaret, street culture and Matariki celebrations – we have it all in the city centre this winter season,” she says. 

    Te Wheke-a-Muturangi

    This mesmerising installation invites audiences to reflect on ancient stories beneath the surface of the ocean, animated by light, movement and memory.

    A revered artist whose work has been shown globally – from the Venice Biennale to major presentations in Australia and Singapore – Reihana’s Te Wheke-a-Muturangi anchors the art trail with powerful storytelling drawn from Māori cosmology.

    Part of Reihana’s Kura Moana Series, originally commissioned for the Aotearoa New Zealand Festival of Arts 2022, the majestic 15-metre-wide floating cephalopod draws from the powerful Māori pūrākau / story of the giant female octopus Te-Wheke-a-Muturangi, who is pursued across the Pacific and ultimately slain by the legendary Polynesian navigator, Kupe.

    The artwork is hand-painted by Reihana in maze-like lines inspired by Reihana’s contemporary Māori weaving patterns, with vivid reds symbolising the blood spilled when the creature was defeated.

    Visitors can scan an on-site QR code to see an augmented reality pūrākau (legend), where Te-Wheke-a Muturangi hovers above Waitematā Harbour and speaks about being a goddess while taking selfies. Scan the QR code on site or visit Viaduct.co.nz/ArtFair

    Alongside Lisa Reihana’s installation, eight other large-scale works by leading contemporary artists from across Aotearoa will be on display for the Aotearoa Art Fair Sculpture Trail, placed throughout the Viaduct Harbour. 

    For information on Aotearoa Art Fair and full event programme and maps visit ArtFair.co.nz

    Packed arts season

    Starting with the appearance of Te Wheke-a-Muturangi, an abundant season of arts and cultural experiences is coming to the city centre this autumn / winter, drawing crowds and adding vibrancy.

    Annie Dundas, Director Destination at Tātaki Auckland Unlimited says, “Tāmaki Makaurau Auckland’s city centre free and paid arts events provide an amazing autumn and winter experience, no matter what the weather’s doing.

    “The Aotearoa Art Fair from 1-4 May is sure to be a highlight of the season – it’s the biggest fair yet with 49 galleries from New Zealand and Australia showing work from emerging and established artists, plus a sculpture trail for everyone to enjoy.

    “Auckland Live also has an exciting programme of more than 140 shows and performances scheduled across April, May and June. As the temperature cools down, our arts programme ramps up, so it’s the perfect time of year to experience this thriving side to our region.”

    Supported by the Auckland Council group and presented at city centre venues, the next six months include:

    Visit Discover Auckland for the full line-up, and to search events by date.

    Investment

    Auckland Council’s contribution of $10,000 towards the installation of artwork Te Wheke-a-Muturangi at Viaduct Harbour was funded from the city centre targeted rate.

    Photo credit: all photos taken by Jay Farnworth, Auckland Council

  • Opera in the Strand returns to Strand Arcade

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    It’s New Zealand Music Month in May and people will flood into midtown’s streets, lanes and public spaces, further cementing our place in the world as a UNESCO City of Music.

    They will hear the diverse and unique sounds of Tāmaki Makaurau, as Auckland Council hosts a free public programme of music, supported by the city centre targeted rate.

    The season opens with Opera in the Strand on Thursday 1 May at 6pm. After a successful debut in 2024, Opera in the Strand returns in all its glorious colour, costumery and melody.

    Listen and watch highlights from the 2024 event on YouTube here.

    Totally free and with no tickets needed, people will simply walk up and hear New Zealand’s finest young opera singers in full voice. Curated by the New Zealand Opera School, the artists sing from the tiled arcade floor and high on the bridges above midtown’s historic Strand Arcade, built 125 years ago.

    Councillor Desley Simpson is thrilled to see Opera in the Strand back by popular demand.

    “As this exciting new neighbourhood takes shape around Te Waihorotiu Station, our teams are working hard to attract people back to midtown and support businesses impacted by construction, through events like this.

    “Music is always in the mix and there’s nothing like opera, brought to one of our historic city centre jewels, to lift spirits,” she says.

    NZ Opera School Trustee Jack Bourke, an Aotea Arts Quarter advocate and co-curator of Opera in the Strand, explains the significance of Opera in the Strand further: “The importance of music in building place is undeniable. The importance of music in building community, and the arts quarter at the heart of our regenerating midtown, is immeasurable.”

    Visit Our Auckland for 2025’s full New Zealand Music Month line-up. It’s an experience not to be missed.

    Read about the opera stars and pianists you will hear sing and play in our historic Strand Arcade on 1 May:  

    Emma Jones – Soprano

    Emma Jones completed her Bachelor of Music with First Class Honours as a Sir Edmund Hillary Scholar at the University of Waikato. This year she is studying towards her Masters of Music under the tutelage of Emma Pearson. 

    Emma was recently awarded the Merle Higgie Opera Prize of Potential at the New Zealand Opera School and the prize for Most Potential at the Nicholas Tarling Aria Competition. In 2024 she debuted in the role of Iphis in Handel’s Jephtha and made her Auckland Town Hall debut as the Soprano 2 soloist in Bach Musica NZ’s performance of Mendelssohn’s Symphony No.2 (Hymn of Praise).  Emma has also received Music Blues Awards for four consecutive years and the 2024 Creative and Performing Arts Person of the Year. NZOS Alumna 2024.

    Olivia Forbes – Soprano

    Olivia Forbes performing at Strand Arcade.

    Olivia Forbes is a 23-year-old soprano from Auckland. Having completed her undergraduate conjoint in Voice and Italian from Auckland University, she has recently completed her honours degree in Classical Voice with first class under the tutelage of Dr. Morag Atchison. In 2019, she played the role of Flora in New Zealand Opera’s production of The Turn of the Screw by Benjamin Britten and has been a student at the New Zealand Opera School in Whanganui where she was awarded the 2025 Dame Sister Mary Leo award for dedication to the craft of Opera.

    Recently, Olivia placed third in the Beacroft Aria Finals and was a finalist in the 2024 New Zealand Aria competition where she performed as a soloist with the Auckland Philharmonic Orchestra. At the 2025 Nicholas Tarling aria finals she was awarded the inaugural Sally Stone award for most outstanding talent. She is passionate about sharing the beauty of classical music with audiences and looks forward to expanding her horizons internationally later this year as she embarks to London to pursue a Master of Performance at the Royal College of Music. NZOS Alumna 2023/2024.

    Sarah Mileham – Soprano

    Sarah Mileham is a 22-year-old Soprano from Tauranga and now based in Hamilton. In 2023, she finished her Bachelor of Music in Classical Performance at the New Zealand School of Music, Victoria University of Wellington under the tuition of Jenny Wollerman. She has just completed her Bachelor of Music with Honours at Waikato University with Soprano Anna Leese. She is now an artist with Te Pae Kōkako The Aotearoa New Zealand Opera Studio (TANZOS).

    In 2024, Sarah made her debut with NZ Opera singing ‘Maria Bertram’, a principal role, in Mansfield Park by Jonathan Dove and ‘Countess Ceprano’ in Verdi’s Rigoletto. She also sang the role of Adina in Donizetti’s The Elixir of Love NZO Schools Tour, which travelled Aotearoa. She has been awarded first at the 2024 Nicholas Tarling Aria Competition, the DMMF Waikato Aria Competition, the Norah Howell Recital Class, and Te Awamutu Aria. She has also been a finalist in the Lockwood NZ Aria (2023), Runner up in Christchurch (2023,2024) and Wellington Aria Finals (2023), and received the Merle Higgie Opera Prize for Potential at her first New Zealand Opera School in 2023. Sarah is excited to grow her professional career and is looking forward to future further studies overseas. NZOS Alumna 2023/2024.

    Ridge Ponini – Tenor

    Ridge Ponini performing at Strand Arcade.

    Proud Cook Island tenor, Ridge Ponini completed his Honours degree in Music at the University of Otago, majoring in classical voice performance and is a 2024 Artist with Te Pae Kokako – The Aotearoa New Zealand Opera Studio (TANZOS). In 2017 Ridge was named the Most Promising Singer and received the Judges Choice Award in the Dame Malvina Major Foundation Aria award, and in the same competition placed second in 2018. In 2021 Ridge was awarded the Enari Iosefa Opera Award from Creative New Zealand and in 2022 was a semi finalist for the Lexus Song Quest. Ridge was a studio artist with New Zealand Opera in 2023 and winner of the Dame Sister Mary Leo Award (runner up) at the 2024 NZ Opera School. NZOS Alumnus 2020/2021/2023/2024.

    Edward Laurenson – Baritone

    Former NZ Opera Emerging Artist and Circle 100 Scholar, Edward Laurenson was the winner of the Guildhall Prize at the 2013 IFAC Australian Singing Competition and graduate of the Guildhall School of Music & Drama Master of Performance in London and the San Francisco Conservatory of Music, studying under Yvonne Kenny and Cesar Ulloa. Following his residency at Opera Colorado and the Merola Opera Programme, Edward has performed operatic roles worldwide. Supported by Dame Kiri Te Kanawa and the Kiri Te Kanawa Foundation he returned to NZ in 2022 to perform the role of Anatoly in Chess the Musical in Auckland. NZOS Alumnus 2013/2014.

    Alfred Fonoti-Fuimaono – Baritone

    Alfred Fonoti-Fuimaono is a Samoan baritone from Flaxmere, Hastings. His interest in classical music flourished through his involvement with the youth initiative, ‘Project Prima Volta’ – a music programme based in Hawke’s Bay that empowers youth through classical music. He completed a Master in Advanced Opera Studies through The Aotearoa New Zealand Opera Studio (TANZOS) at the University of Waikato under the tutelage of Kristin Darragh, and continued his development as a Freemasons New Zealand Opera Company Artist for 2024 under the tutelage of Nikki-Li Hartliep.  Alfred is a five time attendee of the NZ Opera School where he was awarded the Dame Malvina Major Foundation Award in 2024.

    Francis Cowan – Pianist

    Francis Cowan was appointed as full time Head of Collaborative Piano at the University of Waikato in 2015. He enjoys a busy schedule of coaching and accompaniment for voice and instrumental students and is a regular pianist and organist for the New Zealand Opera School.

    David Kelly, pianist

    David is based in Auckland and is a repetiteur and coach for New Zealand Opera, Te Pae K ō kako (University of Waikato) and the New Zealand Opera School. He collaborates frequently with the Auckland Philharmonia , Auckland Chamber Orchestra, Voices New Zealand, and the Universities of Auckland and Waikato. With flutist Luca Manghi he has recorded a critically applauded recital disc Quays (Atoll Records, ACD 882), and is a member of the Donizetti Trio, which undertook national tours in 2014 and 2019 for Chamber Music New Zealand. David studied at the University of Canterbury with Diedre Irons and Maurice Till and is a graduate of the Australian Opera Studio.

  • Midtown street party unveils hidden art gems

    Source:

    April’s midtown street party on Thursday 17 April is packed full of art, music, food, live painting and stories. It will also celebrate street culture now, and from decades past.

    Midtown’s monthly street parties are enabled by Auckland Council to build vibrancy and support local businesses in the newly-emerging neighbourhood around Te Waihorotiu Station, with funds from the city centre targeted rate.

    But there’s a unique, exciting and mysterious layer added to April’s party line-up.

    On the way to or from the street party on 17 April, Aucklanders are encouraged to stroll to Durham Lane West and Airedale Street to witness street art they might never have noticed before.

    Auckland Council Head of City Centre Programmes Jenny Larking is thrilled to be throwing light on a hidden collection of art history in these little-known locations.

    “Standing in one single spot it’s possible to take in the city’s oldest existing piece of graffiti culture, a mid-1990s view of place, and a contemporary portrayal of what our feet stand on beneath the central city.

    “Some of these artworks are a celebration of Te Waihorotiu stream, which flows underground, a treasured stream that’s also honoured in the name of the new station taking shape in the area,” she says.  

    Etched into the walls of our city, street culture never grows old. Here’s more about this unique urban experience:

    Durham Lane West

    Lane Change by John Radford 1995 – in Durham Lane West.

    Artist John Radford’s Lane Change, on the wall of an underpass off Durham Lane West, remembers a slice of Auckland’s history. The artwork cements a replica façade of an 1880s building, which was in Shortland Street, into the wall.

    Directly opposite Lane Change is a John Radford mural ‘…that was then, and that was then…’ completed in 1994 in this backstreet shrine to street culture.

    This artwork also explores themes of buildings past. Both artworks were funded from a donation by a property development company responsible for a large development in the area at the time, part of Auckland City Council’s incentive scheme for the creation of public art and public spaces by private companies.

    In ‘…that was then, and that was then…’ words and phrases overlap and intersect to represent the passage of time. The words draw from Auckland’s history and include the names of Māori pā sites, natural features, and local businesses that have been built over and around in the landscape of Tāmaki Makaurau.

    In 2010 an unknown contractor inadvertently painted over the mural. The artist, John Radford, restored the work leaving some of the grey paint to add to the evolution and meaning of the artwork.

    “I think it adds to the look of the work. There are now more traces of layers on the wall,” the artist told The Aucklander at the time.

    Queen Street City Beat 1986 by Opto & Dick Clique (Otis and Dick Frizzell).

    Walk further into the underpass and discover the Queen Street City Beat mural created in 1986 by Opto & Dick Clique (Otis and Dick Frizzell).   

    In 1986, 15-year-old Otis Frizzell recruited his well-known artist father as free labour to help him with this historic graffiti mural painted in the alleyway. Otis recalls the council of the time wanted to brighten up the inner city and he was commissioned to create the mural.   

    The only real graffiti art reference available at the time was the movie Beat Street, so the artist wrote QUEEN STREET CITY BEAT. The mural depicts a characterisation of Queen Street at the time featuring recognisable buildings – the Classic Cinema, Auckland Town Hall, Keans Jeans, the neon cowboy and McDonalds. 

    Otis Frizzell says: “I’m stoked to get a chance to breathe some new life into this old mural. Of course when I painted this with my Dad back in ’86 I had no idea it would last so long, and eventually become one of the oldest existing Street Art pieces in Aotearoa.”

    Opposite the Frizzell work is Holly Mafaufau’s Tāmaki Makaurau completed in 2024.

    Holly enjoys the conceptual, problem-solving aspect of design and takes a similar approach to the walls she paints. She says that words are weapons, and public walls are an opportunity to speak to people.

    “This artwork acknowledges the historic bodies of water of the area and their importance in the provision of kai (food). It was created with the intention to soften a hard urban space while contributing to the collection of existing artworks in this space,” Holly says.   

    Airedale Street  

    Artist Poi Ngawati.

    Exciting new artworks curated by Ross Liew for Auckland Council have transformed the Airedale Street steps, a popular pathway between Auckland University of Technology and Queen Street.

    A mural has been created by artist Poi Ngawati (Waikato Tainui, Ngāti Patupo, Ngāti Whawhaki, Ngāti Mahuta, Ngāpuhi, Ngāti Hine). 

    Titled Te Huinga Tai – The gathering of tides, this vibrant piece of street art talks about the meeting of tides from all around the world. Depicted via a modern Māori stylised pūhoro design, the work reflects five key values; people first, pursue excellence, embrace change, act with integrity and serve our world. 

    The north facing walls are painted in shades of violet purple and the south facing walls shades of teal. This colour combination speaks of day and night, light and dark, and how the waters of Te Waihorotiu continue to flow beneath the streets.

    Accompanying the mural is a new collaborative light work suspended in the tree above, created by Poi Ngawati and Angus Muir to complete the transformation of this space. The design speaks to the connection between the stars, ocean, and iwi guiding our journeys and shaping our stories.

    The flowing forms represent rain, linking Ranginui and Papatūānuku. By day, it moves with the environment; by night, it connects to the stars above. 

    Read about the full midtown street party programme at OurAuckland.