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March 21, 2026

Country Life: A look inside Mataura’s Masjid

Haji Zamberi Matyunus, a long time resident in Mataura and the current imam of the Mataura Masjid. Gianina Schwanecke / Country Life

In a former Anglican church just off Mataura’s main street, you’ll find a new group of worshippers.

The Mataura Masjid and community centre was established at the deconsecrated site in 2018, providing a new place for the Southland region’s Muslim community to gather.

Its 25 or so members come from far and wide, both in terms of their countries of origin, as well as the rural settlements they travel from.

Haji Zamberi Matyunus, a long time resident in Mataura and the current imam (leader) of the Mataura Masjid, told Country Life it was the only mosque of its kind in the rural area, the nearest alternatives being Dunedin or Invercargill.

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Matyunus moved to Mataura from Malaysia more than 40 years ago. There is a stark contrast between the town of less than 2000 residents and the busy city of Kuala Lumpur with a population of over 2 million.

“I like the area – very quiet and peaceful. I like fishing too, and the river is near my house,” he said with a chuckle. The Mataura River is well-known for it’s world-class brown trout fly fishing.

Other members come from “every country”, including Fiji, Libya, and the Philippines – almost too many to name. They travel in from across the wider Southland and Otago regions including from Roxborough, Tapanui, Gore, and Wyndham.

Many, like Matyunus, work at the local meat works processing halal meat – a growing part of New Zealand’s export portfolio, with the government signing new agreements with Indonesia and Malaysia last year.

“The halal process is very, very important for Muslims,” he told Country Life.

Halal is an Arabic word meaning permissible. Halal food excludes pork, alcohol, improperly slaughtered meat, and even certain by-products of non-halal meat like gelatine or animal rennet.

For meat to be halal, a few things have to happen:

The animal must be cut at the major blood vessel point on the neck to ensure a quick death.
The animal must not be already dead or suffering.
A Muslim must proclaim ‘in the name of Allah’ as an act of asking for permission before the slaughter. (Some scholars recommend facing the direction of prayer, Mecca, too.)
But halal isn’t just about how an animal is killed – it includes how the food is stored, handled, and prepared. Any contamination with non-halal substances can make it impermissible to eat.

Matyunus said he was proud to play a part in this and to call Mataura home. The Masjid is “open for everyone” in the community.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

March 21, 2026

Why can you remember every word of an old song – but not why you walked into a room?

Source: Radio New Zealand

While driving recently, a long-forgotten song came on the radio. I found myself singing along; not only did I know all the lyrics to a song I hadn’t heard in 25 years or more, but I also managed to rap along. How is it that I could give this rendition, but often cannot remember what I came into the room for?

It is tempting to treat these moments as evidence of cognitive decline. A quiet, creeping sense that something is slipping.

But the contrast between flawlessly (it was) performing a decades-old song and forgetting a just-formed intention is not a sign that memory is failing. It is a demonstration of how memory works.

This video is hosted on Youtube.

. It isn’t.

Remembering song lyrics relies on long-term memory – networks distributed across the brain that store information consolidated over years. These include language areas in the temporal lobes, auditory cortex, motor regions involved in speech production, and emotional circuits of the brain that help tag experiences as meaningful.

Music is neurologically extravagant: it recruits multiple systems at once – rhythm, language, movement and emotion. That multiplicity strengthens encoding.

Each time you repeated those lyrics – in your bedroom, in a car, at a party – you reinforced the synaptic connections involved. Over time, the pathway becomes efficient and stable. Retrieval becomes almost automatic.

By contrast, remembering why you walked into the kitchen relies on working memory – the brain’s temporary holding space. Working memory is fragile. It can hold only a small amount of information for a short period, and it is highly sensitive to distraction. A single competing thought is enough to overwrite it.

Psychologists have described what is sometimes called the “doorway effect”. When you move from one physical space to another, the brain updates context. It segments experience into discrete episodes.

The intention formed in the previous room – “get my glasses”, “find my charger” – was encoded in that earlier context. Crossing a threshold can weaken the retrieval cue. The task disappears.

This isn’t inefficiency, it’s organisational strategy. Our brains evolved to structure experience into meaningful chunks. That segmentation supports long-term memory formation – even if it occasionally leaves us standing in the hallway, perplexed.

Why music survives

Music benefits from structure. Rhyme and rhythm create predictable patterns. Predictability supports recall because the brain is constantly anticipating what comes next.

Brain imaging studies show that musical memory activates widespread cortical and subcortical regions. Strikingly, even in neurodegenerative conditions such as Alzheimer’s disease, musical memory can remain relatively preserved long after other forms of recall deteriorate.

The fact that you can still deliver a flawless rap verse decades later tells us something important: memory strength is less about age and more about depth of encoding. A lyric repeated hundreds of times in adolescence may be neurologically “stronger” than a single fleeting intention formed five seconds ago.

Processing speed does tend to slow modestly with age. Working memory becomes more vulnerable to interference. Multitasking grows harder. But long-term knowledge – vocabulary, expertise, well-rehearsed information – is often maintained or even enhanced.

What feels like memory loss is frequently attentional overload. Modern environments are saturated with interruptions: notifications, internal thoughts, competing demands. Working memory was never designed to withstand this level of interference.

How to reduce ‘roomnesia’

The issue is not that your brain can no longer store information; it’s that it is selective about what it stabilises. Small adjustments can reduce those frustrating “roomnesia” moments.

One of the simplest is to say the task out loud before you move. Verbalising an intention – “I’m going upstairs to get my charger” – strengthens its encoding by engaging additional language networks.

Another approach is brief visualisation. Taking a second to picture the object you are about to retrieve creates a richer mental trace than a vague intention alone.

Even carrying a physical cue can help: picking up an empty mug before heading to the kitchen anchors the purpose of the journey in something tangible. These strategies work because they reinforce the intention before a change in context disrupts it, making the memory less vulnerable to interference.

If you can still perform a 1990s rap in full but occasionally forget why you walked upstairs, your brain is not betraying you. It is prioritising deeply rehearsed, emotionally tagged information over transient intentions. In other words, it is doing exactly what it was built to do.

Michelle Spear is a Professor of Anatomy at the University of Bristol.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

March 21, 2026

Chatham’s council boss says no CE credit card until policies tightened after damning AG report

Source: Radio New Zealand

Interim Chatham Islands council boss Bob Penter. supplied

The interim Chatham Islands council boss says any chief executive will not be using a credit card until the council’s spending oversight policies are tightened up, in the wake of a scathing report.

Bob Penter also wants all sensitive spending by the mayor and chief executive to pass through councillors on a sub-committee, rather than be signed off by the mayor, or deputy mayor.

An auditor-general report, released last week, said former chief executive Paul Eagle’s actions over a project to upgrade his own accommodation were unacceptable and misleading, after costs blew out by more than $250,000.

It found Eagle, a former Rongotai MP and Wellington mayoral candidate, had created or edited contracts and quotes for the house upgrade, effectively had sole oversight of the project, and approved most of the spending.

The authors wrote the report raised “serious integrity questions” for the council, including pointing to its processes for managing credit card spending and reimbursement, calling them “ineffective”.

When asked about excessive credit card use, Penter told RNZ he could not comment on individual employee circumstances, but said the council was taking the Auditor-General’s report “extremely seriously”.

That included more intensive scrutiny of sensitive spending, including credit card use for things like travel, accommodation or food, he said.

“At this point I can confirm there is no chief executive credit card, so we’re not using the credit card at this time, until we get the strengthening of policies that we’re putting to the council next week in place.”

Penter said he would not be using a credit card while in the interim role, because he was not a big fan of them.

He said he would make a number of proposals at next week’s council meeting, aimed at improving processes around expense monitoring, fraud, bribery, corruption, and procurement risk in light of the report.

The Auditor-General’s report pointed to some credit card spending by Eagle that was “unusually high” or lacked an explanation, including $979 on food over five days in May 2024, $580 on a digital design store in Hamilton in September 2024, $351 on the Favona Fun Run in November 2024, and $591 on Anzac groceries.

Former chief executive Paul Eagle. Supplied / Jenny Siaosi

The report also said that most of Eagle’s expense claims forms had been signed by the mayor, but there was not a date accompanying the forms.

It said the office of the auditor general was told the mayor always sought confirmation before signing expense claim forms from the deputy mayor, but it did not see evidence this had occurred.

Penter said he wanted all mayoral and chief executive sensitive expenditure to go through a council sub-committee – a performance, audit and risk subcommittee – rather than through a one-up process signed off by the mayor or deputy mayor.

He said he would bring this as a proposal to the council next week.

The Serious Fraud Office’s counter-fraud centre, a prevention arm of the office, was helping the council to improve its policies.

The Serious Fraud Office confirmed to RNZ it was “evaluating” the auditor-general’s report for whether there were sufficient grounds to open an enquiry or criminal investigation.

Penter did not answer questions about whether he considered there should be a criminal investigation into the issues raised, or whether he felt, as the interim chief executive, betrayed by Eagle’s actions.

He said he could not comment on past actions by Eagle or the council over the accommodation project, and that he was not working at the council at the time.

But he said the council was holding workshops with council staff and councillors, to make sure they understood the expectations required.

The council was feeling “very positive”, after the release of the report, he said.

“The feeling is we absolutely take the findings – the serious concerns in the OAG report – extremely seriously, but we are positive in terms of our approach to it, we are taking it in a head on way, is what I meant by positive – it’s working to now put in place and rebuild the trust and confidence by ensuring that our systems and processes are fit for purpose and appropriate to address the concerns that’s been raised.”

In a letter included in the report findings, Eagle, who resigned last month, apologised and said his actions did not meet the standards expected of himself and his role.

“I started as chief executive of the council in late 2023, three months earlier than planned and, because of the illness of the outgoing chief executive, did not receive a formal, structured induction process covering the policies, processes, systems and documentation expected of the role.

“I wholeheartedly accept now that I should have sought clarity and support for this process.”

Eagle said that documentation and information provided to explain his actions to the inquiry also “fell short” of expected standards.

“In hindsight, I recognise I panicked when I realised documentation was incomplete and I tried to fix this. I deeply regret that those actions did not meet the standards I expect of myself and my role.

Eagle was contacted for comment.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

March 21, 2026

A love letter to feijoas

Source: Radio New Zealand

Here in Raglan the summer has felt endless, perfect. Not a single cyclone, barely any rain, just blue skies and long days and warm dusky surfs until the glow is gone and only starlight shows the way down the dark glassy waves. My festival costumes rarely required a jacket. I spent lazy hours in the hammock on the deck with my daughters while we all read our own books about dragons. (Theirs, graphic novels. Mine, just… graphic.)

But this week, for the first time, there was a chill to the morning air. And right on cue, the first handful of feijoas fell from our Unique and Kaiteri, the two earliest varieties. Of course I burrowed straight into the grass and ate almost all of them—although I did save a couple for the kids.

Usually, my partner and I look forward to autumn. The change in the light, the harvests, the kids actually going to bed before 9pm, the gathering momentum of the year’s projects. This time, though, I’ve enjoyed such a lush sunny season I don’t want it to end. I keep thinking of how my friend Josh once called feijoas a ‘consolation fruit’—a solace for the dying days of summer.

Supplied

Source: Radio New Zealand

Holly Shervey is the creator, writer and star of Crackhead. Matt Klitscher

Warning: This story covers topics including sex addiction and suicide.

New Kiwi dark comedy Crackhead turns real-life addiction struggles into sharp humour – with Holly Shervey starring and husband Emmett Skilton directing.

Holly Shervey was just six-years-old when her mum died of cancer.

She was her everything, and once she was gone, Shervey began drifting down a destructive path of anxiety – including fears that murderers were lurking outside her bedroom – before an eating disorder, addiction and suicidal thoughts took hold, eventually leading to psychiatric care while she was still at university.

It’s an experience that would break many, but the New Zealand actress has turned that deep pain into a gripping dark comedy, Crackhead, which has just premiered on Kiwi and international screens.

“When I went into psych care, I couldn’t find someone or something to connect my journey with, except Girl Interrupted [an Oscar-winning movie, starring Angelina Jolie],” Shervey tells The Detail.

“It was the only way I could see what was going on for me and someone else going through the same struggle, and it made me feel less alone.

“So, my hope is that anyone who is going through something similar can feel less isolated in their own struggle. Yes, it’s dark, but we have tried to match it with enough comedy so it’s digestible for a wider audience as well.”

A familiar face to Kiwi audiences, thanks to roles on Shortland Street, Auckward Love, and Head High, Shervey moved to New Zealand from Australia with her parents and siblings when she was young. But not long after, tragedy struck when her mother was diagnosed with terminal cancer.

“You lose that stability at that age … and I created these anxieties as a kid. I would have been about 7-years-old, and every night before I went to sleep, I would have to check around the outside of our house to make sure there weren’t murderers hiding.

“You are in survival mode as a kid because you don’t have your mum to look after you.”

A still from the series Crackhead, which has just premiered on Kiwi and international screens. Matt Klitscher

As she got older, she turned to food, alcohol, and sex to numb her pain, and “things sort of just spiralled from there”. More than once, she contemplated suicide.

“You are trying so hard to feel normal, but your thoughts are so jagged, part of me was so desperate to not have those thoughts, that spiralling going on for me anymore, and so part of me reached out for help.”

She connected with her family, who organised psychiatric care. It proved lifesaving and life-changing.

And the experience ultimately formed the basis of her plot for her dark comedy, Crackhead.

Shervey wanted to turn her pain into gritty humour, so she created Frankie, a hard-partying, drug-taking, sex-loving, self-destructive 30-something who ends up in rehab.

A hint of her behaviour: in the opening scene, viewers meet her drunk dancing in a nightclub before she hooks up with a stranger in a bathroom cubicle, then vomits in the toilet while insisting her new male friend continues the sex act.

It’s confronting, raw, and gripping, all at once.

Before the end of the first 22 minutes, a hungover Frankie misses her father’s funeral, has a drunken car accident, and burns down part of her sister’s home before landing in court-appointed rehab, where she battles a colourful cast of patients and staff – played by the likes of Miriama Smith, Ana Scotney, and Sara Wiseman.

An in-your-face, did-that-really-make-it-on New Zealand TV “emergency defecation situation” makes it into the next 22 minutes, but it’s probably best that it’s left here.

All up there are eight episodes, which took Shervey and her husband, actor and director Emmett Skilton, eight years to bring to the screen.

For Shervey, bringing Frankie to life was, at times, “so much fun – the parties and drinking”, but other scenes proved “heartbreaking”.

“Playing Frankie felt real, but we definitely have different vices. She’s more of an addict than I was. I struggled more with an eating disorder and suicidal ideation, so there are similarities, but mental health is different,” says Shervey, who never contemplated anyone else playing the role.

“I think if someone else had played her, it would have broken my heart, because that was like my soul on that paper, and it was too hard for me to think of someone else having that voice.

“And the journey of Crackhead has been hugely cathartic.”

Her husband Emmett Skilton, in his role as the show director, admits it was heartbreaking to watch his wife relive her trauma, but he gained a full understanding of what she had been through years earlier.

“When we met, I fell in love with her very quickly and asked her to marry me very quickly. Her first instinct was to make sure that I was aware that she was in psych care.

“So, that being introduced into our relationship in a major way, cut to a decade later, and we are making Crackhead, it was almost like I was starting to understand what all that meant to her, and what all that was.

“So, the scenes that we explored that were the hardest hitting were the ones that were very very close to home in regard to close to the real events that occurred.

“Watching Holly re-live those things, and it was very painful for her, and watching it and guiding her as a director, but also supporting her as a husband, was quite relieving that it was me doing it.”

Shervey fought hard for her story to make it to air – “initially networks weren’t into it, it was too much of a risk” – and then to keep control of the narrative and the title.

“It’s such a powerful name… but there were people who weren’t willing to advertise the show because it’s such a bold name,” she says. “And there were definitely moments when we explored trying to have another title for the show. But nothing felt right.

“Crackhead matches the energy of what the show is. And it’s a crunchy, visceral word, and it’s a crunchy visceral show.”

The show is now airing on Three on Thursday night, plus on demand, and is already reaching international audiences through HBO Max Australia.

“With international audiences, we have had a few people who have already seen it and have nothing to compare it to,” says Skilton, who initially considered acting in the show before committing to director-only. “They said we haven’t seen something like this yet. We even have New Zealand audiences saying that.

“I think the importance of it is that it’s true and honest. You go to some very very dark places, and I think especially New Zealand audiences find those things more digestible when you are laughing at the same time. Or when they have just laughed, two or three seconds previous, you shock them with something very truthful and deep.”

Because sometimes humour is the only way people survive the hardest chapters of their lives. And sometimes telling the truth – even the ugly parts – is the bravest thing a storyteller can do.

Crackhead isn’t polished. It isn’t polite. But that may be exactly the point.

Where to get help:

Need to Talk? Free call or text 1737 any time to speak to a trained counsellor, for any reason
Lifeline: 0800 543 354 or text HELP to 4357
Suicide Crisis Helpline: 0508 828 865 / 0508 TAUTOKO. This is a service for people who may be thinking about suicide, or those who are concerned about family or friends
Depression Helpline: 0800 111 757 or text 4202
Samaritans: 0800 726 666
Youthline: 0800 376 633 or text 234 or email talk@youthline.co.nz
What’s Up: 0800 WHATSUP / 0800 9428 787. This is free counselling for 5 to 19-year-olds
Asian Family Services: 0800 862 342 or text 832. Languages spoken: Mandarin, Cantonese, Korean, Vietnamese, Thai, Japanese, Hindi, and English.
Rural Support Trust Helpline: 0800 787 254
Healthline: 0800 611 116
Rainbow Youth: (09) 376 4155
OUTLine: 0800 688 5463
Aoake te Rā bereaved by suicide service: or call 0800 000 053

If it is an emergency and you feel like you or someone else is at risk, call 111.

Sexual Violence

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

NZ Engine

Posts

Country Life: A look inside Mataura’s Masjid

Why can you remember every word of an old song – but not why you walked into a room?

Chatham’s council boss says no CE credit card until policies tightened after damning AG report

A love letter to feijoas

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