Crash closes stretch of State Highway 1 in North Canterbury

Source: Radio New Zealand

Supplied / NZTA

Two people have been seriously injured after two cars collided in North Canterbury.

Emergency services were called to the crash on State Highway 1 near Domett, between Christchurch and Kaikōura, about 10.40am.

One of the cars was towing a horse float but it was unknown if any horses were inside.

St John said two ambulances, two helicopters, two operations managers and a PRIME responder were sent to the crash.

“Two patients, in serious condition, have been airlifted to Christchurch Hospital. One additional patient, in minor condition, has been transported by road to Christchurch Hospital,” St John said.

A police spokesperson said the Serious Crash Unit were advised and the road remained closed.

The New Zealand Transport Agency said drivers should expect delays and consider avoiding travel through the area.

“SCU (Serious Crash Unit) will be attending the scene and their investigations can take several hours. Consider an alternative route.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Shannon Mato wants to play for Kiwi Ferns at Rugby League World Cup

Source: Radio New Zealand

Shannon Mato celebrates a try for the Māori All Stars against the Australian Indigenous All Stars in Sydney, 2025. NRL PHOTOS

The Kiwi Ferns’ stocks have been boosted with Jillaroos’ 10-test cap powerhouse forward Shannon Mato’s availability after her decision change allegiance from Australia to New Zealand.

Mato, 27, wants to play for New Zealand at this year’s Rugby League World Cup.

She debuted for Australia at the 2022 World Cup in England and could not represent New Zealand as a result.

But a change this month in rugby league’s international rules allows players from Australia, New Zealand and England to switch to another of those countries to represent their heritage or homeland.

Players can now represent a nation for which they qualify through birth or if a parent or grandparent was born in that country, nrl.com reported. They can’t though represent more than one nation in a calendar year.

The Whangarei-born player lived in Upper Hutt before moving to Australia at the age of 13.

Mato said the birth of her son Charnze-Pati in October led to her decision.

“I get a bit emotional because my son is half-Samoan, half-Māori and Kiwi, so I want him to represent both of those if he was to grow up and follow that pathway,” she told nrl.com.

She is keen to play for the Kiwi Ferns in the World Cup, which is being held in Australia and Papua New Guinea in October and November.

“If I was given the opportunity I would take it in a heartbeat and I think that is because I am in a different part of my life now.”

Another rule change allows players who represent New Zealand or England and qualify for New South Wales or Queensland to be available for State of Origin.

In the men’s game this has already seen Newcastle Knights and Queensland fullback Kalyn Ponga switch allegiance to New Zealand, enabling his availability for the Kiwis at the World Cup, which will run parallel to the women’s event.

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Prime Minister Christopher Luxon refuses to say if he tried to call off Samoa matai ceremony

Source: Radio New Zealand

The furore over Christopher Luxon’s new matai title is refusing to go away, after local media in Samoa reported there was a late night phone call saying he didn’t want to go ahead with it after “too much interference on social media”.

Luxon refused to answer questions about the reports on Tuesday, saying he wanted to move on from the issue.

The Samoan Observer reported on Tuesday morning Prime Minister Laaulialemalietoa Leuatea Schmidt said he’d received a phone call at about 3am from Samoa’s Ministry of Foreign Affairs CEO, informing him Luxon didn’t want to proceed with the bestowal of the title Tuisinavemaulumoto’otua.

Prime Minster Christopher Luxon attends a ceremony in Apia to bestow a matai title. RNZ / Giles Dexter

The report stated Schmidt was told Luxon had decided not to go ahead because of “too much interference on social media”. It also said there were discussions that continued into the night, and early Monday morning before the ceremony eventually proceeded.

Schmidt had said he’d told those involved that Samoa had prepared for the ceremony and that he’d urged Luxon not to be concerned about online criticism.

It comes after Luxon’s office denied reports that he requested to be given a matai title ahead of his visit to Samoa.

Samoa’s government had to clarify on Monday morning that neither Luxon nor his representatives had requested he be given an honour, shortly before the presentation.

Luxon’s since said it was a “miscommunication” and both he and the Samoan prime minister had moved on.

Asked on Tuesday about the Samoan Observer report, Luxon wouldn’t say if a phone call had taken place, instead saying he had “nothing further to add”.

Christopher Luxon attends a gift giving ceremony in Samoa, where he received a portrait painted by a local Methodist college. RNZ / Giles Dexter

“The prime minister issued a statement yesterday,” said Luxon, “I’m going to leave it there”.

“Again, I’m sorry guys, I’m just not going there.”

Asked if it had damaged trust between the two nations, Luxon said a very good relationship had been established through this visit, calling it a very successful trip.

Luxon said there’d been conversations around health, education and the border, and good connections made between the counterparts and cabinet ministers.

Luxon rejected the notion there was “confusion”, saying in the conversations that had occurred, “we’ve moved our conversation to things that actually matter for the Samoan people”.

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Who is Khaby Lame – the world’s most followed TikToker?

Source: Radio New Zealand

His name is Khabane Lame, but he is known worldwide as Khaby Lame. Born in Dakar, Senegal, he is the most followed content creator on TikTok.

He became famous for video clips in which he reacts to absurd “life hack” videos with a blank, slightly annoyed face, showing the hack wasn’t needed.

At the time of writing he has over 160 million followers: a world record achieved without uttering a single word. In January he sold his brand rights for nearly US$1 billion.

Khaby Lame attending the 2025 Met Gala Celebrating.

AFP/DIA DIPASUPIL

Is sitting in the car ‘self care’?

Wellbeing

But there’s another dimension to his story that the western media rarely mention: Khaby Lame is a practising Muslim and a hafiz, a Muslim devotee who has memorised the entire Quran. This after being sent to a Quranic school near Dakar at the age of 14.

The tension between the sacred body of the hafiz and the commercialisation of the influencer’s digital life makes his journey a rich case study.

For me, as a researcher of digital identity, his online career also raises questions about turning personal data into digital assets.

From the suburbs of Turin to the top of the global stage

Khaby Lame’s story reads like a modern-day myth. Not because it’s hard to believe, but because it mirrors the core narratives of digital modernity. It starts with hardship, goes through a period of creative isolation and ends with global recognition.

This is what the French thinker Roland Barthes called “mythical speech”, a story that seems natural and simple, but is actually shaped by deeper forces and structures.

In 2020, at the beginning of the Covid pandemic, Khaby Lame lost his job as a factory worker. He was stuck at home and locked down in social housing in the suburbs of Turin, Italy, where his parents had moved when he was a baby.

Out of this hardship he made a simple decision: he started filming short videos. Just 17 months later, he reached more than 100 million followers on TikTok. He was the first content creator based in Europe to reach that milestone.

His story reflects the promise often promoted by TikTok that the platform can lift anyone up. All you need, it suggests, is a mobile phone, and talent will quickly be rewarded with global fame.

This should be celebrated. But the myth of instant success also needs a closer look. Behind every viral rise lie smart decisions, hard work, and the powerful, and often unpredictable, role of the platfom’s algorithm.

TikTok account of one of the most followed people on the app, Senegalese-Italian Khaby Lame.

Riccardo Milani / Hans Lucas / Hans Lucas via AFP

Comic tradition

What sets Khaby Lame apart from almost all the creators before him is the semiotic system (of signs and symbols) he invented – or rather reactivated. He brought back an old comic tradition.

Many compare him to British comedy actor Charlie Chaplin. Others see echoes of US comedian Buster Keaton. Both were masters of Hollywood’s silent slapstick comedy.

Khaby Lame revives the codes of 1930s Hollywood silent comedy cinema: mime, meaningful glances, no dialogue, and burlesque sketches (short theatrical scenes) that convey messages. But the Chaplin connection ends there, as the two men inhabit their bodies in radically different ways.

Chaplin’s films carry emotional weight, driven by social and political themes. His character, the tramp, is a poor wanderer pushing back against an unfair industrial world.

Khaby Lame’s style is closer to Keaton’s. He says nothing. He simply shows how unnecessary and complicated these internet quick fixes are. His absolute impassivity in the face of the absurd is what Keaton perfected with his famous “great stone face”.

But while the comic structure is similar, their relationship to their bodies is not. Throughout his life, Keaton remained completely indifferent to religion or metaphysics in any form. Khaby Lame is the opposite. He is a hafiz. The separation of his digital identity from his physical person is notable.

Wordless humour allowed him to build a global audience because there are no language barriers, just as silent film stars like Charlie Chaplin became global icons a century ago.

TikTok’s algorithm favours content that anyone can understand instantly. Chaplin needed a movie theatre, Khaby Lame needs only a phone and an algorithm. The mechanics are similar. The way it spreads has completely changed.

Digital identity

In January 2026, Khaby Lame’s carefully crafted expressive persona took on a new status. It became a financial asset. He sold his company, Step Distinctive Limited, for US$975 million to Rich Sparkle, a publicly traded company based in Hong Kong. The agreement includes the transfer of rights to use his image, voice and behavioural models to create an artificial intelligence-powered digital twin.

This digital twin will produce multilingual content, including material for advertising and promotions. Companies will be able to run commercials in several countries without Khaby being physically present. According to Rich Sparkle, this could help generate over US$4 billion in annual sales, especially through livestream e-commerce (a format already dominant in Asia), broadcast simultaneously around the world.

This transaction marks a turning point. Digital identity no longer merely represents a person. It becomes an asset that can be separated from the individual who created it. Now, a creator is no longer a brand ambassador, but a brand in its own right. In theory, Khaby Lame’s digital being is now legally separate from Khaby Lame himself.

The digital twin is, in this sense, the Buster Keaton body that digital platform capitalism has always dreamed of – impassive, reproducible, available across all time zones.

Signature gesture

Khaby Lame’s signature gesture is to place both palms open and turned upward. This seems simple and easy to understand, a light and humorous sign of of disbelief. But the gesture carries deeper meanings.

In Islamic tradition, as in many African cultures, this same gesture is linked to dua, the act of raising one’s hand in supplication to God. What millions of viewers read as a comic signature is also a spiritual practice.

Yet Khaby Lame’s digital double is not simply an image. It can act in his name. It can speak with his voice. It can repeat his familiar gestures. This is no longer simple representation. It is a form of transferring his way of expressing himself onto a digital system.

The same open hands, the same expressive gaze, the same voice that once recited the suras of the Quran in a school in Dakar are now the attributes of a commercial transaction valued at nearly a billion dollars.

There is an ethical question in handing over his active identity to financial markets.

An ethical question

For many young Africans, especially in Senegal, Khaby Lame embodies the possibility that digital spaces are territories where Africans can succeed, where the hierarchies inherited from colonial history can, at least symbolically, be overturned.

But the deal raises a difficult question: what does it mean to sell your digital self in a world where Black and African bodies have been used and profited from for centuries without consent and fair compensation?

Is this a win or a new form of exploitation? Can the financial benefits balance the transfer of his identity?

More African creators are building global audiences every year. That means these questions will become harder to ignore. Who owns a creator’s digital twin once it’s sold? Who set the rules for its use?

Khaby Lame is not just a social media success story. He is a revelation of the future and, perhaps unwittingly, a pioneer.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Review: Project Hail Mary is a Ryan Gosling-powered hope rocket

Source: Radio New Zealand

As Project Hail Mary‘s amnesiac hero problem-solves his way around the spaceship he’s woken up on alone, he asks: “Am I smart?”

It’s a bold question to put in the air at the start of a film that fuses a silly, human-alien buddy comedy and a deeply earnest tale about how science and cooperation may yet save humanity.

And while the answer is that this sci-fi spectacular is perhaps a smidgen goofier than it is clever, it’s also charming, looks stellar, and is non-stop ride fuelled by a message of hope and powered by a star.

This video is hosted on Youtube.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Mudfish pulls off last-minute upset to claim Fish of the Year 2026

Source: Radio New Zealand

A Northland mudfish with a ruler for scale. DOC

A deeply unglamorous and rarely seen creature that spends most of its life in mud has pulled off a last-minute upset by winning the title of Fish of the Year.

The Northland mudfish was not even in the top ten at the competition’s halfway point, but surged ahead in the final 24 hours – bumping the longfin eel, or tuna kūwharuwharu, out of the top spot.

Just under 6000 people around the country voted in the contest, which is organised annually by Mountains to Sea Conservation Trust.

Trust founder Samara Nicholas said the humble, secretive Northland mudfish – which was found only in a few wetlands around Kaikohe and Lake Ōmāpere – benefited from strong campaigns by the regional council and a local radio station.

“Even the Northland Rugby Union claimed they may actually change the Northland Taniwha name to the Northland Mudfish,” she said.

“I think people just got really fascinated by the fact that it’s so rare, it’s highly threatened. Not a lot is known about it. And it’s just was just so quirky that it seemed to capture the imagination of people.”

The secretive, wetland-dwelling Northland mudfish has been named Fish of the Year 2026. Supplied / Mountains to Sea Conservation Trust

Until the late surge by the mudfish, the longfin eel, the seahorse and the whale shark – the world’s biggest fish – appeared to be top contenders.

“It was just the buzz and the sheer amount of people getting behind the mudfish. And that’s what we want to do. We want this competition to create friendly competition between different organisations campaigning for their fish. The campaign went crazy in those last 24 hours, and the mudfish completely took it out.”

New Zealanders’ love of the underdog was also a likely factor.

Nicholas said the purpose of the competition was to shine a spotlight on creatures that were usually “out of sight, out of mind” – as was the case with many of New Zealand’s native fish.

With a maximum length of 15cm, the Northland mudfish was the smallest winner to date. It was also the first freshwater fish to take out the title, and so obscure it was only discovered in 1998.

Map showing the distribution of Northland mudfish. Supplied / Earth Sciences NZ

Its unique talents included the ability to survive droughts by burying itself in mud and breathing through its skin, Nicholas said.

That skill helped mudfish survive when a fire ripped through 15ha of conservation land next to Kerikeri airport in 2010.

However, the main threat to the survival of the Northland mudfish – and the four other species of mudfish around the motu – was the destruction of wetlands.

“We’ve drained around 90 percent of our wetlands in the last 150 years, and that has had a disastrous impact on our native galaxiids, including mudfish,” Nicholas said.

“We urgently need to protect and restore wetlands and riparian areas across the country to give freshwater fish, like the Northland mudfish, a fighting chance.”

It was the fifth time Mountains to Sea had run the Fish of the Year competition.

Last year’s winner was the bizarre, and aptly named, blobfish.

The Northland mudfish is sometimes also called the burgundy mudfish because of the colouring around its gills and belly.

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Retired Supreme Court judge to lead government inquiry into Tauranga landslides

Source: Radio New Zealand

The slip at Mauao, Mount Maunganui as seen from the air. Screengrab / Amy Till

Retired Supreme Court judge Sir Mark O’Regan will lead the government’s inquiry into the Tauranga landslides which killed eight people.

The terms of reference, released on Tuesday, task him with investigating how the landslides occurred and whether relevant agencies took appropriate steps to manage any risk.

That includes whether they missed any opportunities to warn or evacuate people.

Investigators will consider evidence including what agencies already knew about the risk of landslides, as well as the weather forecasts, storm alerts, and any warnings from the public.

The inquiry has no power to determine criminal or disciplinary liability, but can make “findings of fault”.

The government said it does not expect the inquiry to hold public hearings and can seek evidence from overseas, but without travelling itself.

In a statement, the responsible minister Chris Penk said the government recognised the significant public concern surrounding the tragic events and the importance for the families and wider community of determining exactly what happened.

“Those responsible for the Inquiry will be required to communicate with the families of the victims about its progress. It is my expectation that this engagement will be conducted with respect and sensitivity, and that the work will proceed as efficiently as possible,” Penk said.

Sir Mark will be assisted by a former public sector boss Helen Anderson and lawyer Steve Symon.

They will start considering evidence at the end of the month, to report back with recommendations by early December.

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My Food Bag on track for profit growth

Source: Radio New Zealand

My Food Bag is forecasting its full-year net profit will be between $6.4 million and $6.8 million

Strong sales in the second half of the year have helped put My Food Bag on track to deliver year-on-year profit growth.

The NZX-listed company is forecasting its full-year net profit will be between $6.4 million and $6.8 million, up from $6.3 million in the 2025 financial year.

Revenue is tipped to grow 4.9 percent on the previous year, with the level of retained customers in the meal kit business up year-on-year, according to chief executive Mark Winter.

“We’ve prioritised providing our customers with greater flexibility, offering the more convenience and reiterating the value of our offering,” he said.

Winter says the meal kit business has expanded in the past year to target more health-conscious customers, and now offers a high protein option, a diabetes plan and meals tailored to those taking weight loss drugs.

My Food Bag chief executive Mark Winter. Supplied

Rising cost of ingredients a headwind

Ingredient price inflation is still a challenge for My Food Bag, said Winter, with food prices generally up 4.5 percent in the year to February, according to Stats NZ.

But Winter said the company has managed to improve its gross margin for the second half, compared to the prior year.

“We’ve always prioritised what we can do internally to take unnecessary cost out that the customer doesn’t value and that includes at assembly sites around productivity.”

“We invested a substantial amount of money a couple of years ago in implementing light automation, so initiatives like that have allowed us to partially offset the food price inflation costs that we’re seeing come through.”

With the Middle East conflict generating an uncertain outlook for inflation, Winter said the company is keeping a close eye on developments and staying in contact with suppliers.

The company expects to release its confirmed full-year results in May.

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New rating system for schools unveiled as ERO reports overhauled

Source: Radio New Zealand

The Education Review Office is introducing a colour-coded, four-point scale for rating schools’ performance.

It said the new system would apply to ERO review reports for schools visited from term two and would be easier for families to understand.

The new-look reports would rate schools’ as excelling, doing well, working towards or requiring improvement across 14 areas with colour coding of dark green, light green, orange, and red.

The reports would start with a “snapshot” table showing the number of areas in which each school was excelling, doing well, working towards, or required improvement.

They would then provide an overview of the school’s ratings in 14 areas including student achievement, student progress, teaching, reading and writing, maths and attendance.

ERO said the new reports would be easier for families to understand.

The new-look ERO report, Education Review Office

ERO last changed the way it reported on schools at the end of 2024 when it introduced short descriptions of performance in areas including how well learners were succeeding and the quality of teaching.

It also introduced brief outlines of schools’ performance in reading, writing, maths and attendance.

England’s school reviewer, Ofsted, recently introduced a colour-coded, five-point scale for schools’ performance in areas including attendance, behavour, acheivement, and personal development.

The scale was exceptional, strong standard, expected standard, needs attention, and urgent improvement with colour-coding ranging from blue, through green to orange and red.

Education Minister Erica Stanford said the new reports would provide parents with clearer, more useful information.

“To date, reports on school performance through ERO have not sufficiently focused on the details most relevant to parents and have been dense and complicated to read and understand,” she said.

RNZ / Nick Monro

Stanford said the reports would provide more detail on twice as many topics.

“The new reports will recognise successes as well and provide a roadmap for improvement. They focus on the key changes that will make the most difference for students,” she said.

Stanford said the reports would help the Education Ministry target support to the schools that needed it.

“Overall this is really about good data and making sure that we are targeting resource to the areas we need it the most so we can raise achievement standards across the board,” she said.

She said the review office had not changed how it reviewed schools, just how it reported its findings.

Chief review officer Ruth Shinoda said parents did not understand some of the language ERO used.

“Sometimes words are clear to us but not clear to schools and parents,” she said.

“For example, the word ’embedding’, which is one of our judgements – it means a lot to us in education, parents have no idea what this word means so we’ve changed it to ‘doing well’.”

Shinoda said a focus on progress would celebrate the difference schools made in challenging circumstances.

She said the reports would show how many areas a school was excelling in, how many areas it was good at, and how many it needed to improve.

They would also provide more clarity about what schools needed to do next.

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Simon Kneebone joins Black Ferns coaching team

Source: Radio New Zealand

Simon Kneebone has been appointed a Black Ferns assistant coach, focusing on set pieces. SUPPLIED

The Black Ferns have a new assistant coach who will focus on their set piece.

Simon Kneebone completes the coaching group, joining head coach Whitney Hansen, and assistants Tony Christie (attack) and Riki Flutey (defence).

Christie and Flutey had been assistants during Allan Bunting’s reign, which ended when the Black Ferns finished third at last year’s World Cup.

Kneebone has come through the ranks in women’s rugby coaching and helped Canterbury win back-to-back Farah Palmer Cup titles in 2018-19 as their forwards coach.

After returning to the Canterbury team in 2024, he was appointed assistant coach for Matatū in Super Rugby Aupiki and assistant coach for the Black Ferns XV.

“Coaching in the women’s space is incredibly rewarding, I love how motivated the players are for growth both on and off the field, and supporting them as they chase greatness. The Black Ferns are a special team with a proud history and I’m excited to contribute to the success of our players as they reach their highest potential,” Kneebone said in a statement.

Hansen, who was appointed head coach at the end of last year, said Kneebone would bring much to the Black Ferns’ set piece.

“I’ve had the privilege of witnessing Simon’s coaching journey throughout the ranks and his knowledge around set piece is outstanding. His understanding of the style we want to play combined with his passion for skill development will be invaluable to this group in bringing out the best of our players, experienced and new.

“His ability to build trust will be critical to enhancing our environment alongside our other coaches and management. I believe we’ve got the best people in place,” Hansen said.

Jenelle Strickland will continue her role as Black Ferns team manager.

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand